1 post in this topic

Posted

[b]The common aversion to clashing harmonies seems to be due to mathematical relationships of overtones.[/b]

Many people dislike the clashing dissonances of modernist composers such as Arnold Schoenberg. But what

Share this post


Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!


Register a new account

Sign in

Already have an account? Sign in here.


Sign In Now
Sign in to follow this  
Followers 0

  • Recently Browsing   0 members

    No registered users viewing this page.