The Hunger Games: Reviews rolling in


Recommended Posts

If the early word is any indication, Hunger Games is no Twilight.

On the contrary, filmmaker Gary Ross' adaptation of the first entry in Suzanne Collins' postapocalyptic young adult series of novels is actually receiving high praise for, you know, actually being good as it chronicles the tale of 24 teenagers chosen by lottery to compete in an annual gladiatorial-like TV spectacle in which only one will survive.

Here's a quick roundup of some of the first critiques of The Hunger Games, which as of press time has earned a 98 percent "fresh" rating on film review aggregator Rotten Tomatoes, though it's still too early for a complete consensus.

Todd McCarthy, chief critic for The Hollywood Reporter, lavished praise on star Jennifer Lawrence as 16-year-old archer Katniss Everdeen, whose illegal hunting skills help her survive in this sci-fi dystopia.

"As she did in her breakthrough film Winter's Bone, Jennifer Lawrence anchors this futuristic and politicized elaboration of The Most Dangerous Game with impressive gravity and presence, while director Gary Ross gets enough of what matters in the book up on the screen to satisfy its legions of fans worldwide," gushes McCarthy.

He noted, however, that since Lionsgate is marketing the flick as the next Twilight in order to harness the former's box office magic, the filmmakers aimed for a PG-13 rating, whereas "a film accurately depicting the events of the book would certainly carry an R."

"That said, Hunger Games has such a strong narrative structure, built-in forward movement and compelling central character that it can't go far wrong," McCarthy adds.

While acknowledging The Hunger Games will satisfy fans of the best-seller, Variety's Justin Chang suggested the mission to make it palatable to a PG-13 audience may have stripped the movie of some of its more subversive elements, notably the "morality of violence as entertainment and the brutality of pitting children against each other."

"What viewers are left with is a watchable enough picture that feels content to realize someone else's vision rather than claim it as its own. Any real sense of risk has been carefully ironed out: The PG-13 rating that ensures the film's suitability for its target audience also blunts the impact of the teen-on-teen bloodshed, most of it rendered in quick, oblique glimpses," writes Chang.

Here are a few more critics' takes:

? "This is a gripping, impressively mounted action movie?but its adherence to finicky details in the novel means that there's not enough time to fully explore Collins's complex world or the characters who inhabit it," opined TimeOut London.

? "Sadly, there's a sense of familiarity that The Hunger Games can't completely shake off. Recalling everything from Lord of the Flies to A.I. to The Running Man to the cult Japanese thriller Battle Royale, the movie feels more like a solidly crafted amalgam of disparate influences than a wholly original vision," offered Screen Daily.

? "Despite its well-worn ideas and themes, Gary Ross's provocative, pulse-surgingly tense adaptation couldn't feel fresher, or timelier," said London's Telegraph, delivering up some of the best raves. "The Hunger Games is an essential science fiction film for our times; perhaps the essential science fiction film of our times. Whatever your age, it demands to be devoured."

The Hunger Games unspools worldwide on March 23.

Source

Link to comment
https://www.neowin.net/forum/topic/1064576-the-hunger-games-reviews-rolling-in/
Share on other sites

Although I didn't like the trailer, it'd have to be really bad to be worse than the Twilight movies. I'm glad the reviews are good though. My younger brother is a huge fan and his taste in movies and novels is good. I'll read the books when I get the chance... but only after I see the movie.

no its something worse. This is the kind of movies where the bitch, bitch and annoy the whole the movie and end winning the game. boring. Go away with your PG-13 and all the teen drama

Read the books. There will be no bitching from Katniss in this.

Just came home from watching The Hunger Games and I say it's pretty good. I haven't read the books yet since I found it a bit difficult to recognise some of the characters unless I ask my sister who they are. Jennifer Lawrence looks stunning in this film so that may be worth seeing

I enjoyed it, wasn't the movie event of the year but still a ok movie. I watched it wondering if all the 12 and 13 year old girls in my theater thought about how disturbing it was to watch kids kill kids in that manner. While it was not as gory it had its moments.

1) I hated the camera style, like... 2 seconds of scenery then 5 minutes of zooming in so close to the face you can see pores... It's like they were hiding something the entire movie

2) Partially related to 1), if you're going to have fight scenes... Zoom the **** out, so we can see more than blurs. ****ing ****.

3) Besides that, it did justice to the book. I really wish there was more narrative style to it, rather than using facial expressions to get what she is thinking across.

'Hunger Games' Sets Non-Sequel Midnight Record

The Hunger Games opened to an estimated $19.74 million at midnight, which ranks seventh all-time behind the last three Harry Potter and Twilight movies. It did score the top midnight debut ever for a non-sequel, and it earned more than twice as much as the first Twilight movie ($7 million).

If one is to use the opening pattern of Breaking Dawn Part 1 and New Moon (which also opened outside of the Summer), The Hunger Games would be poised for a three-day take between $90 and $110 million. Since those were sequels, though, it's probably fair to assume The Hunger Games will at least hold up a little bit better over the next few days.

There's also a very distant chance that its pattern winds up closer to that of The Dark Knight, which would mean a weekend gross of around $160 million; it's been nearly four years since that movie came out, though and midnight attendance patterns have changed significantly in that time.

Regardless, The Hunger Games is off to a fantastic start, and it still has a very legitimate shot at passing Alice in Wonderland's $116.1 million debut to set a new March and non-sequel opening weekend record.

Top 10 Midnight Openings

1. Harry Potter and the Deathly Hallows Part 2 - $43.5 million

2. The Twilight Saga: Breaking Dawn Part 1 - $30.3 million

3. The Twilight Saga: Eclipse - $30.1 million

4. The Twilight Saga: New Moon - $26.3 million

5. Harry Potter and the Deathly Hallows Part 1 - $24 million

6. Harry Potter and the Half-Blood Prince - $22.2 million

7. The Hunger Games - $19.7 million

8. The Dark Knight - $18.5 million

9. Star Wars: Episode III - Revenge of the Sith - $16.5 million

10. Transformers: Revenge of the Fallen - $16 million

Source

1) I hated the camera style, like... 2 seconds of scenery then 5 minutes of zooming in so close to the face you can see pores... It's like they were hiding something the entire movie

2) Partially related to 1), if you're going to have fight scenes... Zoom the **** out, so we can see more than blurs. ****ing ****.

3) Besides that, it did justice to the book. I really wish there was more narrative style to it, rather than using facial expressions to get what she is thinking across.

Yeah, the fight scenes were really, really just way to chaotic. I get the idea of making them that way stylistically, to emphasize that they are just confusion, but you literally could not tell what was going on.

So obviously with my comment above, I did just see the movie a few hours ago today at a 10am matinee. Was way more packed then I thought it would be, and someone literally peed in their chair. Like I am not kidding, you could hear the pee, and then there was a huge commotion. Whomever peed, their entire party just ran out of the theater in embarrassment almost instantly, and everyone sitting around them found new seats. It was just absolutely surreal to me. Someone did not want to get up so badly they literally ****ed themselves. :s

So went on opening weekend as my wife is actually a big fan of the books, so she really wanted to see it. She said she liked the movie a whole lot. Said it was pretty faithful to the book, although she did then point out to me a few things that were indeed different from the book, but nothing sounded severe. She did agree that as someone who read the book, the movie leaves out a whole, whole lot of details, and unless you read the books, it just does not explain how or why certain things happen.

I also have to say that the special effects were really pretty bad. Just all screamed low budget. For such a high profile movie release with this much hype, I expect the best special effects out there. But they truly were low budget.

I also felt the movie was a tad to long. I started to get fidgity and found myself losing interest here and there. They could have probably cut a good 20-30 minutes and the length would have been perfect.

So yeah, I am not really sure what the hype is all about as someone who has not read the books, but my wife who did read the books, really liked it. I thought it was a good movie, but not great.

3.5/5

Friday Report: 'Hunger Games' Kills With Fifth-Best Opening Day Ever

Building on a strong midnight launch, The Hunger Games had one of the best opening days ever at an estimated $68.25 million. That ranks fifth on the all-time list behind Harry Potter and the Deathly Hallows Part 2 ($91.1 million), New Moon ($72.7 million), Breaking Dawn Part 1 ($71.6 million) and Eclipse ($68.5 million). It wound up slightly ahead of The Dark Knight ($71.6 million), and also topped Alice in Wonderland ($40.8 million) to set a new record for a non-sequel.

The Hunger Games looks even more impressive when subtracting its $19.74 million midnight gross?throughout normal business hours, the movie earned $48.5 million, which is actually more than Deathly Hallows Part 2 made in that time ($47.57 million). In fact, The Hunger Games only ranks behind Spider-Man 3 ($49.8 million) and The Dark Knight ($48.7 million) in non-midnight opening day grosses.

The Hunger Games received a strong "A" CinemaScore, and should finish the weekend with anywhere from $135 million to $160 million.

It may be hard to believe, but there were actually other movies in theaters on Friday. Last weekend's winner 21 Jump Street fell 53 percent to an estimated $6.25 million, which brought its eight-day total to a very solid $56 million (right on par with Jonah Hill's Superbad). The Lorax also had a steep decline, falling 53 percent to $3.2 million for a total of $167.4 million. The movie that was hit hardest by The Hunger Games, though, was John Carter?the sci-fi epic shed some screens and plummeted 66 percent to an estimated $1.36 million. It's now made $58.7 million, and has absolutely no chance of closing anywhere near the $100 million mark.

In sixth place, abortion drama October Baby opened to an estimated $605,000 from 390 locations. The movie was briefly released last October and earned $199,442 before being picked up by Samuel Goldwyn Films for this more substantial release.

Source

Wasn't violent enough :( :p

Hated the camera work. Don't know what they were aiming for, a first-person style view or what. It was zoomed so close in to the actress' face that nothing else was visible. Didn't get any idea of the scale or grandeur or terror or anything of the tournament. Also not enough violence was shown (may be I was expecting it to take it from where Condemned left off, even though Condemned was a pretty low hanging fruit :p). Plus the movie was too long. The games didn't start at all till about mid-way. The other contestant didn't have their personalities etched out enough to be terrified or, or empathised with or anything else. They could have as easily been faceless and nameless without any screen time and nothing would have been missing from the movie. In all, pretty boring.

Wasn't violent enough :( :p

Hated the camera work. Don't know what they were aiming for, a first-person style view or what. It was zoomed so close in to the actress' face that nothing else was visible. Didn't get any idea of the scale or grandeur or terror or anything of the tournament. Also not enough violence was shown (may be I was expecting it to take it from where Condemned left off, even though Condemned was a pretty low hanging fruit :p).

the zooms, blurs and haziness is to soften the raw violence of the book for the early-teen demographic, larger age demographic only means more money for the studios. how i wish studios would release 2 versions of movies a PG rated version for teens/kids and a R rated for adults so we don't have to watch these watered-down movies.

This topic is now closed to further replies.
  • Posts

    • Amazon Prime Day 2026: Best Dolby soundbar deals from Sony, Samsung, JBL, Polk, and more by Sayan Sen Yesterday we covered the JBL BAR 800 which is a 5.1.2 Dolby Atmos/Vision soundbar. The unit is on sale for its lowest ever price of just $800 making it a solid offer. However, there are many more options to choose from and in this article, we have made a compilation of the best deals including from Sony, Polk, Yamaha, Denon, Samsung and more. Sony's BAR models are currently at their lowest prices which makes them solid offerings. The company's BRAVIA Theatre Bar lineup is designed to suit different home cinema needs. The Bar 5 is an entry-level 3.1-channel soundbar with a wireless subwoofer, supporting Dolby Atmos®, DTS:X, S-Force PRO Front Surround, and Vertical Surround Engine for immersive audio with clear dialogue. The Bar 6 upgrades to a 3.1.2-channel configuration by adding dedicated up-firing speakers for more convincing overhead Atmos effects while retaining the wireless subwoofer. At the premium end, the Bar 7, Bar 8, and flagship Bar 9 are single-soundbar solutions featuring Sony’s 360 Spatial Sound Mapping technology, which creates phantom speakers for a wider surround field. Bar 7 includes nine speaker units, Bar 8 increases this to eleven, and Bar 9 offers thirteen speaker driver units promising the most expansive soundstage and acoustic performance. All models should integrate seamlessly with compatible BRAVIA TVs and support the BRAVIA Connect app for setup and control. Get them at the links below: Sony BRAVIA Theater Bar 9 Soundbar (HT-A9000): $998.00 (Amazon US) (Was: $1498) Sony BRAVIA Theater Bar 8 Soundbar (HT-A9000): $798.00 (Amazon US) (Was: $998) Sony BRAVIA Theater Bar 7 Soundbar (HT-A7100): $618.00 (Amazon US) (Was: $768) Sony BRAVIA Theater System 6: $548.00 | Sony BRAVIA Theater Bar 6: $448.00 Sony BRAVIA Theater Bar 5 (HT-B500): $278.00 (Amazon US) (Was: $348) Sony HT-S400 2.1 soundbar: $198.00 (Amazon US) (Was: $248) Aside from those, we also have more discounts including from Samsung, Polk Audio, and more: Samsung Q-Series Soundbar HW-QS90H 7.1.2: $797.99 (Amazon US) (Was: $998) Polk Audio Signa S4: $336.00 (Amazon US) (Was: $449) Hisense AX3120Q: $229.00 (Amazon US) (Was: $259) Check out more soundbar deals that you may like at this link. Good to know This Amazon deal is U.S. specific, and not available in other regions unless specified. We only use first-party seller links (at the time of article publishing); ensure that you purchase from a first-party seller link only. Check out Today's Deals on Amazon | or our recent tech deals. Become a Prime member (for Students or SNAP) via Neowin Get Prime Access - Prime for half price (for qualifying Medicaid, EBT, SNAP) Subscribe to Prime Video, Audible Plus, Music Unlimited or Kindle Unlimited via Neowin As an Amazon Associate, we earn from qualifying purchases.
    • Stellarium 26.2 by Razvan Serea Stellarium is a free open source planetarium for your computer. It shows a realistic sky in 3D, just like what you see with the naked eye, binoculars or a telescope. It is being used in planetarium projectors. Just set your coordinates and go. Stellarium key features: Realistic simulation of the sky, sunrise and sunset Default catalogue of over 600,000 stars Downloadable additional catalogues for up to 210 million stars Catalog data for all New General Catalogue (NGC) objects Images of almost all Messier objects and the Milky Way Artistic illustrations for all 88 modern constellations More than a dozen different cultures with their constellations Solar and lunar eclipse simulation Photorealistic landscapes (more are available on the website) Scripting support with ECMAScript (a few demo scripts are included) Extendable with plug-ins: 8 plug-ins installed by default, including: artificial satellites plug-in (updated from an on-line TLE database) ocular simulation plug-in (shows how objects look like in a given ocular) Solar System editor plug-in (imports comet and asteroid data from the MPC) telescope control plug-in (Meade LX200 and Celestron NexStar compatible) The major changes of this version: Added new sky culture Added new plugin: Planes Many improvements in plugins Many improvements in Core and GUI Many updates in sky cultures. [full release notes] Download: Stellarium 26.2 (64-bit) | 456.0 MB (Open Source) View: Stellarium Home Page | Other Operating Systems | Screenshot Get alerted to all of our Software updates on Twitter at @NeowinSoftware
    • NASA: This asteroid may not kill us but it probably won't be far off either by Sayan Sen Image by Zelch Csaba via Pexels New observations by NASA's James Webb Space Telescope have eliminated the last remaining impact threat posed by asteroid 2024 YR4, ruling out the possibility that the near-Earth object could strike the Moon in December 2032. NASA said observations collected by Webb on February 18 and 26, 2026, enabled scientists to refine the asteroid's orbit enough to "rule out a chance of lunar impact on Dec. 22, 2032." Instead, asteroid 2024 YR4 is now expected to pass the Moon at a distance of about 13,200 miles (21,200 km). The agency stressed that the update "reflects improved precision in our understanding of where the asteroid is expected to be in 2032 rather than a shift in its orbital path." The announcement closes a remarkable chapter in planetary defence that began in late 2024, when the approximately 60-metre-wide asteroid briefly became the most closely watched near-Earth object in the world. Discovered on December 27, 2024, by the ATLAS telescope in Chile, 2024 YR4 initially appeared to have a small chance of colliding with Earth on December 22, 2032. As astronomers gathered more observations, the impact probability briefly climbed to around 3%—the highest ever recorded for an asteroid of its size—before steadily falling as its orbit became better understood. By early 2025, international observations had ruled out any significant risk to Earth. However, astronomers were left with another possibility: a roughly 4% chance that the asteroid could instead strike the Moon. "The probability that asteroid 2024 YR4 will strike the Moon on 22 December 2032 is now approximately 4%," the European Space Agency (ESA) had said last year, noting that "there is a 96% chance that the asteroid will not impact the Moon." ESA said such an impact, while unlikely, would have presented an extraordinary scientific opportunity. "It is a very rare event for an asteroid this large to impact the Moon – and it is rarer still that we know about it in advance. The impact would likely be visible from Earth, and so scientists will be very excited by the prospect of observing and analysing it," said Richard Moissl, Head of ESA's Planetary Defence Office. "It would certainly leave a new crater on the surface. However, we wouldn't be able to accurately predict in advance how much material would be thrown into space, or whether any would reach Earth," he added. The asteroid also exposed an important blind spot in planetary defence. Because 2024 YR4 approached Earth from the direction of the Sun, it remained hidden from ground-based telescopes until after its closest approach. "We looked into how Neomir would have performed in this situation, and the simulations surprised even us," Moissl said. "Neomir would have detected asteroid 2024 YR4 about a month earlier than ground-based telescopes did. This would have given astronomers more time to study the asteroid's trajectory and allowed them to much sooner rule out any chance of Earth impact in 2032." He added, "As an infrared telescope, like Webb, Neomir would have also immediately given us a much better estimate for the asteroid's size, which is very important for assessing the significance of the hazard." The latest NASA observations underscore the value of space-based infrared telescopes in tracking faint asteroids. According to NASA, Webb made "among the faintest ever observations of an asteroid," extending the object's observational record by nearly eight months at a time when it had become too faint for other telescopes. That additional data allowed scientists to eliminate the remaining uncertainty surrounding its 2032 flyby. Although asteroid 2024 YR4 is now confirmed to pose no threat to either Earth or the Moon, scientists say its discovery remains one of the most significant real-world tests of the international planetary defence system, demonstrating how continued observations can rapidly transform an object once considered hazardous into one whose future path is known with high confidence. Source: NASA, ESA This article was generated with some help from AI and reviewed by an editor. Under Section 107 of the Copyright Act 1976, this material is used for the purpose of news reporting. Fair use is a use permitted by copyright statute that might otherwise be infringing.
  • Recent Achievements

    • Conversation Starter
      Admir earned a badge
      Conversation Starter
    • First Post
      The_Focal_Point earned a badge
      First Post
    • Apprentice
      daryld went up a rank
      Apprentice
    • Contributor
      Carltonbar went up a rank
      Contributor
    • One Month Later
      The_Focal_Point earned a badge
      One Month Later
  • Popular Contributors

    1. 1
      +primortal
      418
    2. 2
      +Edouard
      170
    3. 3
      PsYcHoKiLLa
      130
    4. 4
      Xenon
      69
    5. 5
      neufuse
      69
  • Tell a friend

    Love Neowin? Tell a friend!