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By David Uzondu · Posted
Instagram now lets you manually reorder posts on your profile grid by David Uzondu Instagram is finally rolling out the ability to customize your feed layout as you see fit by letting you reorder posts on your profile grid. This feature comes several months after the app introduced a tool that lets users rearrange photos and videos within a carousel post after it has already been published. To do that, people tap the three-dot menu in the top right corner of the post, select the edit option, and reorganize their slides. Now that Instagram has expanded the feature to your profile grid, you can organize your main page without deleting old uploads. To use the new system, you simply tap any picture on your grid and select the option to reorder. This action opens up a separate screen where you can freely drag your grid items around until you get your preferred aesthetic, and then you just hit the back button to save your changes. Instagram's Threads account posted that the system would reach accounts starting this week, so you might need to wait for the automatic update to hit your phone. https://www.threads.com/@instagram/post/DZVV_fyjjSW In other Instagram news, last week, people figured out that if you ask Meta's AI support assistant to hand over any Instagram account, the bot will actually hand it over (even if the victim's account had 2FA enabled). The security exploit involved the assistant accepting prompts from users and generating password reset links for unauthorized email addresses. Meta said that the issue has now been fixed, but this came after the issue affected several high-profile accounts, including @obamawhitehouse. Last month, the company finally rolled out paid subscription tiers for WhatsApp and other Meta social platforms after months of testing. WhatsApp Plus costs $2.99 a month and gives you custom themes, while Instagram Plus and Facebook Plus cost $3.99 a month for extra profile customization and story rewatch counters. Meta's also working on Meta One, a unified subscription service that contains options for heavy users of its servers who want more reach or advanced features. For instance, Meta One Essential ($14.99/mo) comes with a verified badge and impersonation protection. If you pay for Meta One Premium ($19.99/mo), you get deeper AI reasoning tools, whereas the Meta One Advanced ($49.99/mo) tier increases your search placement (on Facebook and Instagram) and visibility. -
By cleverclogs · Posted
Hello mysterious lamborghiniv10, I was in Australia and... now I'm in the Netherlands. -
By Hamid Ganji · Posted
EU says Meta must restore rival chatbots' access to WhatsApp by Hamid Ganji The European Commission has ordered Meta to restore third-party AI chatbots’ access to WhatsApp after the tech giant decided to block them from operating on the popular messaging platform. After Meta banned rival AI chatbots from operating on WhatsApp, the European Commission launched an antitrust investigation to determine whether the company had abused its market dominance. As a result of Meta’s decision, third-party AI chatbots, including Microsoft’s Copilot and OpenAI’s ChatGPT, were prevented from operating on WhatsApp. At the time, Meta said it wanted to reserve the WhatsApp Business API for other types of businesses and did not allow rival chatbots to use it. This effectively prevented the WhatsApp ecosystem from being used to distribute rival chatbot services. However, the European Commission has now announced an interim measures decision requiring Meta to restore access to WhatsApp for rival general-purpose AI assistants on the same terms and conditions as before October 15, 2025. The Commission has also asked Meta to maintain that access until the antitrust investigation is concluded. The Commission argues that Meta has used its dominant market position to prevent rival AI chatbots from accessing the WhatsApp Business API. While Meta allowed rival services to return to WhatsApp by paying a fee, the European Commission still considers that arrangement to be a de facto access ban. According to EU antitrust chief Teresa Ribera, the fees introduced by Meta are so high that using WhatsApp is no longer economically sustainable for competitors. “It seems that Meta expects to leverage the vast reach and likely dominance of WhatsApp to benefit its own AI assistant and to foreclose rivals,” Ribera said. “We cannot let large digital incumbents leverage their dominance of the past to dictate who in Europe gets to compete and who gets to innovate in AI.” -
By +Warwagon · Posted
A few years ago walmart had the 512 models on clearance for $35. I bought 3 of them. I should have purchased more. -
By +virtorio · Posted
I'm fine with a little reasonable promotion of Edge, but the degree which they do it right now I consider extremely unreasonable.
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Question
Rob Veteran
Throughout my time here in Neowin, I have seen many questions on graphics answered hundreds of times, and felt that a central respository on some of the more simple questions of computer graphics could be useful. And so, I've created this. Please give your comments, corrections and suggestions for revisions.
Raster graphics are images that are defined in terms of a generally rectangular grid of pixels, or picture elements. Each pixel is one small square of colour, which, when combined with other pixels side by side, merge together to form one solid image to the eye. Let's take a popular Neowin smiley and analyse its pixel content:
Colours
Computer graphics are generally stored in RGB or CYMK colour formats. The former will be explained in this guide, and should demand be sufficient for a CYMK section, this will be added later.
Colours are made up of a combination of red, green, and blue part intensity. The intensity can vary between 0 and 255.
Each one 16,777,216 colours that are theoretically available are made up of a combination of red green and blue.
The colour yellow can be represented as #FFFF00 in the hexadecimal system. Here, 6 digits are used, which can be the numbers 0-9, or the letter A-F. This way, 256 possible values can be represented in two characters. #FFFF00 represents FF parts red, FF parts green and 00 parts blue, FF equalling 255 in regular denary figures. Hexadecimal figures are mostly used in web design, since the HTML specification accepts these figures most readily. Newer, CSS techniques allow individual R, G and B parts to be specified in denary, however.
Anti-aliasing
90s web design was characterised by "the jaggies". The relatively large size of a pixel can be a problem when drawing lines that are neither horizontal nor vertical. Without some way of merging a diagonal line into the background, the line appears choppy and has an unprofessional, unclean appearance. Anti-aliasing to the rescue.
Anti-aliasing works by adding intermittant pixels with a colour somewhere between that of the foreground and background, such that the images merge in the eye of the viewer. The result is a straighter line without so many visible "steps" due to the grid-nature of raster graphics.
Dithering
Modern displays and graphics adaptors can display the full complement of 16,777,216 colours, to a greater or lesser degree of colour accuracy. But what happens if a user is viewing on less than 32-bit colours, let's say, 256 colours? A process known as dithering can occur - either at the time of image creation of by the graphics adaptor at display time - to trick the eye into seeing more colours than are actually capable of being displayed. For example:
What initially appears as a block of orange colour is actually alternating pixels of red and yellow. The success of dithering is varied and it is not used often in modern computing when the full compliment of colours is available. Nevertheless, some web browsers still do not support full alpha channels and so a dithered overlay of black and transparent pixels can produce the appearance of a darker shade over an image. For example, the following image obtained from SausageMania.com has a dithering effect applied above the poor girl's eyebrows.
Transparency
Raster graphics are rectangular. But there are ways to overlay graphics such that the background appears from behind the rectangle. There are two types of transparency. The former, supported by formats such as GIF, allows a pixel to be either transparent or opaque. The latter, supported by formats such as PNG, allows 256 levels of transparency ranging from fully transparent to fully opaque, and everything in between. This second complex level of transparency, full alpha channel support, allows for more complex visual effects to be presented to the viewer where "layers" of an image can be translucent. This is fine in graphic design, but on the web it can prove a little trickier.
Raster formats
There have been a number of formats developed over the years to store raster graphics. Some of the most popular formats are discussed below, each with their advantages and disadvantages.
BMP - Bitmap Graphics
GIF - Graphics Interchange Format
JPG - Joint Photographic Expert Group
PNG - Portable Network Graphics
Where raster graphics are defined in terms of individual pixels, vector graphics are actually stored as mathematical rules - widths, heights, curves, proportions, ratios. Where raster graphics have a set height and width and look pixelated when stretched beyond these boundaries, vector graphics render themselves to the space given to them, such that they are resolution independent. Let's take a look at the Microsoft logo.
As you can see, the vector based logo is not based on pixels any longer. It is based on points set at proportional distances, joined with lines and curves, and filled with a solid black colour.
When drawing curves in vector graphics programs, a number of points are defined and dragged such that a smooth curve is plotted. This curve is independent of dimensions but is saved as in proportions and ratios such that it will scale to any resolution. An example:
Vector graphics formats
Again, a number of formats exist for storing vector graphics, each with their advantages. It is important to note that, by their very definition, vector graphics are SMALL in comparison to raster graphics when it comes to file size. Since they are not saving information on each and every pixel, but rather rules for rendering, file size is cut immensely. The universally accepted format for vector graphics, particularly when it comes to company logos and sending files to print, is EPS - Encapsulated PostScript. PostScript is a format developed by Adobe to describe pages to a printer, plotter, or screen. Rather than storing straight data it stores instructions for the makeup of the page. Fonts are stored as individual character vector objects, for example, so they can be printed at as high a resolution as the printer can print. Macromedia's Flash technology is an excellent example of vector graphics working at their finest - whatever the window size, vector elements of the Flash movie appear crisply anti-aliased, and individual frames can even be printed in high resolution due to the vector-based nature.
Popular raster graphics programs
Popular vector graphics programs
Popular vector graphics animation programs
A good question. At first glance, vector graphics seem to overcome all the difficulties of raster graphics. They can be resized to any size without loss of quality, and pixelation just doesn't occur. File size is also greatly reduced. However, each format has an individual purpose. A photograph cannot be expressed as a vector graphic because it simply isn't vector data. A sunset cannot be defined mathematically, at the risk of starting a philosophical argument on the world around us. The real world is not vector-based. The table in front of you has an infinite pixel depth, infinite variations in colours, infinite variations in relief and texture. Vector graphics are reserved for images such as typefaces, lines, curves. Complex vector images can be created but they have been created specifically IN vectors. Photographs and complex raster effects like lens flares are defined with pixel-by-pixel lighting and colour effects, not with vectors.
Of course, this isn't to say that attempting to express real-world objects as vectors won't make excellent images artistically...
A good example to illustrate a collaboration between the two is in Pixar animated films. Let's take Sully.
The character of Sully is created as a 3D mesh in a 3D vector graphics application. It can be made to any size because of its vector nature. When it comes to rendering the final film, however, things like fur effects, scene lighting and other special effects are added as raster filters to the image. The collaboration of the two creates the blend between computer editability (vector) and realistic visuals (raster).
Logos for businesses should always be created as a vector. Why? For maximum usage. It's all very well creating a great raster logo with lens flares and bevels and gradients but what happens when it needs to be on a huge banner in a hall? Or, at the other extreme, printed on headed notepaper. Raster effects just are not practical when it comes to corporate identities. With vector-based logos, the image will scale to any size and any application; raster graphics would require re-rendering each time a new size was required, not to mention problems with transparency across print and computer platforms.
Edited by RobLink to comment
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